We chose to film the majority of our film in a house. This
is because it is typical in films of a horror/ supernatural horror genre to be
set in a house, as it promotes fear of the unwanted entering the individuals
personal space, which makes the audience connect with the film as they are
intrigued to find out how the individual will be able to escape. The second
location we intend to use is a road which will be where we film the hit and run
scene.
The first location we intend to use is the bedroom (pictured
below). In this location within the house the protagonist is seen being awoken
by a noise she hears downstairs, which she then goes to investigate. We chose
to use this space because the room is accessorised appropriately to suit the protagonist’s
character. The room is of a small-medium size so there may be an issue of
whether there is enough space to film all the angles, shot sizes and movements
which intend to use as planned on our shot list. We intend to overcome the
obstacle of space by moving items around the room to create more space if need
be. We may have to change shots to allocate for the space within the room.
Another obstacle we may face is lighting, we intend to make the film look as if
the action is taking place at night, this may be difficult when filming during
the day, but if we manage to achieve low-key lighting there is the possibility
that you will not be able to see the characters expressions and movement. With
the issue of lighting we aim to use curtains and hang additional sheets behind
the curtains when filming in daylight to make it look as if we are filming at
night, however if it is then too dark we intend to use additional lighting like
lamps, torches etc so that you can see the characters facial expressions and
movement.
The second location we intend to use is the kitchen (pictured
below), in this location the protagonist notices a broken picture frame lying
on the floor with the picture missing but laying on the kitchen counter. We
chose to use this location because we wanted a variation of settings within the
house to make the narrative more interesting. An issue we may face when filming
in the kitchen is space because it is very small we may not be able to get our
achieved angles and shots. We will overcome this issue by having to change
certain shots and angles to allocate for the space that we do have. Another
problem we might face is lighting as we are filming in the daytime is will be
difficult to achieve low-key lighting. We will overcome this issue by shutting
the blind and possibly place something behind the blind in order to block any
additional light entering the room.
The third location we intend to use
is the living room. In this location this is where the supernatural events happen
like lights switching on and off, hearing whispers, witnessing shadows etc. We
chose to use this space as it is typical of the genre to use the largest
available space to film the action scenes, in our case it was the living room. Although
this is the largest room in the house, there is not a lot of space so it may be
difficult to get the desired shots we want as there may be objects in the way.
We will solve this problem by moving items around to allocate for the space we
do have and hopefully be able to achieve our desired shots. Another problem we
may have is again lighting because our film is meant to appear that it is shot
at night filming in the daytime makes this difficult. We intend to overcome
this issue by using curtains and hand additional sheets at the window to block
any extra light entering the room.
The image below shows the road we plan
to film the hit and run scene on. We chose to use this road because, it has
just the right amount of passing cars with minimal pedestrians which will not
cause any disruption when trying to film. One problem that may occur when
filming on the road is bad weather, if we film outside and the weather
conditions are bad this will most likely affect the quality of our film. If
possible we will re-schedule the day we film this scene in order for this not
to affect the quality of our film.
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